Sorry for my absence for a few days. This has been an incredibly busy and stressful few weeks — since the election I’ve had a severe illness in my family, spent a couple of evenings with a friend over from California, and had various other bits that needed doing.
One of those things, that’s occupied a big chunk of my spare time recently, is putting together the final edits for my novel Faction Paradox: Head of State, which will be out in the summer. So I thought I’d talk a little about it, without spoiling too much, because I think the process of writing it is of some interest.
It started, as a matter of fact, as a space opera. I was trying to come up with a Faction Paradox novel idea, because my friends Simon Bucher-Jones and Lawrence Burton, both of whom have written their own very good novels in the series, said I’d be good at it, and my original thought was to use a space opera idea I’d posted here, about first contact with a planet that was exactly like Earth in every way.
The idea was a good one, and I may well come back to it, but I hit a few snags. There were things I wanted to include, things that I had a hazy idea of, that just didn’t fit — I wanted to include a book that held some great significance, I wanted to talk about power, and I wanted to include a plot point hinted at in The Book of the War which I still think is one of the best ideas in the Faction Paradox series. And none of this really seemed to fit the space opera storyline.
Then, I had two other ideas. I can tell you precisely where I was — I was walking through Piccadilly train station, and I could show you the precise spot where I was when these ideas came to me, they were that vivid. The first idea was to have the Thousand and Second Night, as told by the decapitated head of Scheharazade. The second was a scene which comes right at the end of the book, so I won’t spoil it for you, but it’s set in 21st century America. But the thing is, I *knew* those two scenes, totally disconnected as they are, were part of the same book.
I also realised that the Thousand And Second Night could be the important book that I wanted to write about, so now all I had to do was connect the two images.
The first, obvious, thing was that Sir Richard Francis Burton, the Victorian explorer, was a translator of the Arabian Nights, and also appears as a character in The Book Of the War, so I decided to use him as a character, and model the version of the Nights in my book on his translation. Making the book the motivating factor behind a character in the last scene could tie the threads together.
But that’s still only five ideas (1002nd night, Richard Burton, ending, book, motivation). At a rough approximation, you can get about 1000 words out of an idea. So I needed seventy-something more ideas to write a novel. I’ll talk about how I pulled those together next time…