How To Get Your Books On Sale
I’ve been talking with a few people recently about self-publishing, and some of them are vaguely confused about what you need to do in order to get a book out if you’ve written it and want to publish yourself, so I thought I’d do a semi-comprehensive guide. This is for full-length books of 40,000 words or more – short stories are a slightly different beast.
First, you need a word processor that will output in both .doc and .pdf format. Microsoft Word will do both these, I think, and I know that LibreOffice, AbiWord and OpenOffice.org will. I actually use LyX, because it produces beautifully typeset work and you don’t have to fight it the way you do MS Word. If you use LyX, the book Self-Publishing With LyX (free PDF version) is a godsend.
First, we’ll look at print publishing. Export your book as a PDF, with all fonts included in your file – if you don’t do this, there may be typesetting errors with your finished book. Most typesetting advice will tell you to use a ten-to-twelve point serif font, but I use a fourteen point sans serif. This is because my wife is visually impaired, and she finds this much easier to read. I suspect this will be the case for other visually impaired people, and I don’t want to exclude anyone from reading my books. So long as you use a simple, plain font for this, not Comic Sans or anything equally horrific, your book will look professional enough.
You will want to set fairly generous margins on your pages in the PDF, to allow for the pages to be trimmed. I use the margins suggested in Self-Publishing With LyX – Top: 2.5cm, Bottom 2.5cm, Inner: 2.5cm, Outer: 2.0cm . If you’re using Microsoft Word or one of the Wordalike Free Software word processors, lulu.com have a template you can use that will make your pages the right size, but when I used this (on my first two books, before I discovered LyX) I found it extraordinarily fiddly to use with LibreOffice, and next to impossible in AbiWord. I don’t have a copy of Microsoft Word, so I have no experience with that.
Once you have your PDF, you next need your cover. If you can’t draw yourself, you have a couple of options. One that some writers take is to browse stock photo libraries, and pay a small amount (usually in the tens of pounds) for rights to use a picture. You can, however, also search Google Images for images that have been freely licensed for commercial reuse.
One thing to remember, as well, is that all images created by branches of the US government are automatically in the public domain, so lots of military, scientific or space photographs, as well as photos of various politicians and so on, are completely free to use.
Now create an account with a print-on-demand publisher. I have heard very, very good things about CreateSpace, but I use lulu.com myself. This is partly because CreateSpace are an Amazon company, and I don’t want Amazon to have a monopoly or to put my eggs in one basket, and partly because Lulu also offer very good quality hardbacks, and I like to have nice copies of my books.
Once you have an account, click ‘start a new project’ and follow the steps it tells you. You will want your book to be available as a trade paperback (this is a normal paperback of a standard size – Lulu also do larger, coffee-table style books), as a hardback, and as a PDF (don’t add DRM to your PDF – DRM doesn’t deter so-called ‘pirates’ and does deter actual readers). Lulu have an easy-to-use cover designer that will take your image, resize it to the right dimensions, and let you add the title, author name, back-cover blurb and so on. You will get a PDF copy of this completed cover – take a screenshot of the front cover and save it as a JPG, and you can use it for your ebooks.
While Lulu do publish ebooks in non-PDF format, I’ve had nothing but horrendous experience with them in that department, so don’t put your ebooks out through them, other than PDF versions.
You can either buy an ISBN for your book or get one assigned by Lulu. There is no reason I know of not to use Lulu’s. Once you have an ISBN assigned and have bought and approved a proof copy of your book, you can choose either Lulu’s ‘ExtendedReach’ service (which is free, and gets your book on Amazon and into bibliographic databases so other stores can choose to order it) or their GlobalReach service (which is expensive but gets you onto other sites like Barnes & Noble). Interestingly, they seem to be experimenting with merging these two services and making them both free, but I don’t know if that will be going ahead.
Now you’ve got your physical book sorted, it’s time to think of your ebook. For this you’ll need your book to be in Word .doc format. (If you have a choice of which .doc versions to output as, choose Office 2003. DO NOT choose either Windows 95′s version, which doesn’t have all the features you need, or docx, which the major sites don’t yet support). There are many programs that will allow you to produce your own good-quality epub and mobi files, but if you want to get on the major sites you actually want them to convert the files for you at the moment.
Read through the Smashwords Style Guide (free ebook in various formats here) and follow its instructions precisely, paying special attention to the section on Table Of Contents. Then create an account with Smashwords and upload your correctly-formatted .doc file. Smashwords will then convert your book into every format in which you wish to sell it. Select all formats except .mobi (the Kindle format, which we’ll deal with separately) and PDF (Smashwords’ PDF copies look horrible, sell PDFs through Lulu instead).
Smashwords will assign you a free ISBN for your ebook, and will sell DRM-free copies through their own site, but their real advantage is that they will get you onto other online bookstores. They’re the only simple way to get on iBooks, Kobo, Diesel and Sony’s bookstore. They’re also the only way for people outside the US to get on Barnes & Noble’s Nook ebookstore. (People in the US can use Barnes & Noble’s PubIt). These sites between them account for something in the region of 20% of the ebook market.
Smashwords will claim that they offer distribution to Amazon, but they don’t. Disable this option just in case this changes, because you’re going to put your book out through Amazon by yourself – no reason to give Smashwords a cut.
You will want to price your book on Smashwords at between $2.99 and $9,99 – this is not because of anything to do with Smashwords itself, but because Amazon price-matches with other sites, and that’s the price range in which you get the best royalties on Amazon.
Smashwords is a great service, but has two major disadvantages. The first is that they pay quarterly in arrears – so if they receive money from a sale on Apple’s store in February (and Apple take their time to pay Smashwords), you won’t see it until June. The second is that for non-USians they require you to jump through a lot of hoops in the US’ insanely complex tax system if you don’t want to lose 30% of your money, and this takes time. The combination of these two things mean that even though I’ve had books up on Smashwords for a year, I am yet to see any money from them. But when it does finally arrive it’ll be a substantial chunk.
Finally, you’ll want your book to be available on the Kindle. This is the simplest of all these options by this point. Take your Smashwords-formatted .doc file, remove the line about ‘published on Smashwords’ that you inserted to meet Smashwords’ requirements, add page breaks at the end of each chapter (Kindle like page-breaks, Smashwords don’t). Then create an account at kdp.amazon.com and upload your files.
Amazon will try to get you to join a program called KDP Select with your books. DO NOT JOIN THIS. It is a very bad deal for actual writers (as opposed to delusional fools who want to strike it big with a single bestseller), it limits what you can do enormously, and some of its provisions (like turning the money made from lending into a zero-sum game in which you have to compete with other authors) are actively evil.
You should price your book between $2.99 and $9.99, as outside this price range you only make a 35% royalty, but you get 70% if your book’s in that price range. Some people will advise you to sell your books for 99 cents to ‘get noticed’. This was possibly good advice two years ago, but when there are literally millions of books selling at that price (and people giving books away as part of the KDP Select programme), any advantage the low price may have had is gone, so you might as well charge an amount where you’ll see some money. (99 cents is, however, a fair price for a short story if you’re publishing those).
Do not enable DRM – all DRM does is put customers off, it doesn’t deter illegal copying. Enable text-to-speech unless you hate blind people and want them to suffer.
Finally, get an Amazon Author Central account. You will, in fact, want to set up two of these, one on the US site and one on the UK site. From a reader’s point of view, an authorcentral page allows you to see everything an author’s written in one place, as well as a bio of the author (see my page for an example of how this works) – useful if you’ve written multiple books and people want to find them all. From an author’s point of view, it gives you some extra tools to manage your books.
And that’s it. Once you’ve done this, post a link on your blog or website saying your book’s out, then forget about it until the money comes in, and write the next one, and the one after that.
One Week’s Notice – Withdrawing My Books From Smashwords
Just to give people a head’s up – a week from today I’ll be withdrawing my ebooks from smashwords.com , so anyone who has bought them but not yet downloaded a copy should make sure they have one.
The reason for this is that Lulu, who I do my print books with, have announced that they now have an automatic epub conversion facility similar to Smashwords’, so there should be no problems with formatting (the main reason I didn’t use Lulu previously) as well as getting ebooks onto the same sites (iBooks, Nook etc) that Smashwords does.
And Smashwords has a truly Byzantine payment system which means they can pay you anything up to six months in arrears (I’ve still never received a penny from them) and they make non-US authors jump through all sorts of hoops or withold 30% of their earnings for US tax (I was going to jump through the hoops, now I’ll take the hit since the amount of money involved is going to be tiny) while Lulu pay monthly and consider one’s tax situation one’s own business (I must get an accountant early next year, because I’m now selling enough books to justify it).
So my books will still be available in DRM-free ePub form, and after a relatively short break they should be up on Nook, iBookstore etc as before, but they won’t be on Smashwords after this week.
Some Tips For Self-Publishers
Having self-published four ‘real’ books, plus a small ebook of short stories, I’ve figured out quite a few things that I think would be very helpful to any aspiring writers, so thought I’d share them with you all.
Use LyX to write your book in. It has the least user-unfriendly interface of any word processor I know of, and produces beautiful typesetting in a variety of formats. The book Self-Publishing With LyX will give you a few tips. Output your book as a PDF – this can be used directly to typeset the printed version – and as an RTF file, which can be edited in LibreOffice, OpenOffice or similar to produce the text for your ebook versions.
If you have an index, don’t do it until *after* you have produced an RTF or .doc version for ebooks. LyX has a wonderful indexing system, but it leaves formatting marks in your RTF output, which will cause problems for ebook versions.
Serialise your book on your blog. This will build a readership – and you can later link every post to the released book. Don’t worry about people reading it for free who would otherwise pay – blogs and books are such different media that people *will* pay for a book version of blog posts they’re interested in. What I tend to do is add an introduction, extra footnotes, an index and so on to the book, so it still gives purchasers a reason to buy. I also revise everything before publication – and here the eyes you’ve got from your blog posts are invaluable, because people will have noticed the most obvious mistakes before you put them in print.
That said, before you publish your book, get at least four other people to read it over – ideally have two or three of them be people who know something about the subject/genre in question, but also have one or two be people who know as little as possible about the subject, but who are proficient in some other area (especially important is to get at least one person who is able to spot your spelling and grammatical errors – which you *will* have). I learned this after my first book, when two separate people (Plok and Mike Taylor) said “It’s a good book, but…” then made the same suggestion, which would have improved it.
Use Lulu for print versions. Yes, I know not many people buy print versions of books online, but some do, and you want every sale you can get. Make your book available as paperback and hardback, as well as PDF. Hardbacks won’t sell very much, but there will be *some* people who want them – some will even buy both versions of the book, to have one as a reading copy and one for their collection.
Do not, however, make your books available as ePubs from lulu. Lulu use an insanely complex auto-checking system that falsely marks many valid ePubs as being badly formatted – I suspect so they can sell you their ePub formatting service. Don’t fall for it.
For ebook publishing, the single most important thing you can do is to get on the Kindle. You can upload an RTF document at kdp.amazon.com. Don’t put DRM on your book. All it does is annoy customers – anyone who wants to ‘pirate’ your book will do so anyway. Learn from the mistakes of the music business, don’t repeat them.
Make sure you price your book above $2.99 in the Kindle version, as that’s the point at which Amazon will let you take 70% of the revenue, rather than 30%. My own experience has been that about $5 is a reasonable price for a ‘proper’ ebook (i.e. not one like my book of short stories, which is only 20 pages long). You’ll get slightly more sales at a lower price than that, but not (in my experience) enough to make up for the lost revenue. On the other hand, pricing the book at any more than that just makes you look greedy.
The pricing advice, however, will vary depending on how fungible a good your books are. Amanda Hocking, who writes stories about teen vampires in love (or something like that – ‘dark fantasy’ anyway) prices her books (or at least the first in each series) at 99 cents, because that’s a market with a lot of competition (and she’s managed to sell over a million books, so she’s doing something right in that market). Joe Konrath, who writes thrillers, publishes at $2.99, and again sells more than me. But I think in the case of Hocking or Konrath, their customers want ‘a dark fantasy’ or ‘a thriller’, and have thousands of choices. If your book’s in a more niche market, as all mine so far have been, you can afford to price it higher.
Also get your book onto smashwords.com – they will get your book into all other major ebook channels (Barnes & Noble, iBookstore, Nook etc), and will convert your RTF into the appropriate, DRM-free, formats. Make sure you follow the Smashwords Style Guide though (you can use your smashwords-formatted RTF to upload to KDP too).
Don’t let Smashwords put your book on Kindle, though – make sure you do that separately, yourself. Smashwords only pay quarterly, *and* take a percentage of what you make, *AND* it takes time for them to get paid by third parties, *AND* if you’re outside the US you have to jump through tax hoops which can take five months or more unless you want to lose another 30% of your money. If someone wants your book, direct them to Lulu or Amazon – Smashwords is only there for the less than 15% of the market who want ePub books. Put your book there and look at any money you make from it as a pleasant surprise.
Get a decent cover. People *do* judge books by their covers, and even if you can’t design things very well yourself (and don’t have a friend who offers, as my friend did for the cover of my Beach Boys book), there are enough public domain images available that you can get something quite striking.
Get somebody to read your blurb over. This is even more important than getting your book proof-read. I’ve seen some truly horrendous blurbs on Amazon from self-published writers – some actually illiterate.
DON’T join in any self-publishing author fora. There may be some useful advice there, but it’s lost in the noise of pyramid-scheme “I’ll buy yours if you buy mine” and people ‘reviewing’ others’ books (just giving them encouragement, rather than advice on how to get better). If you want to see what self-published authors are doing, look at some of the links in Joe Konrath’s blogroll, and just read the blogs that seem useful to you.
Write a *lot*. You won’t make much from any one book, but each of my books makes me between £25 and £50 per month. That’s not enough to live on, but that’s because I only have four books out – the more books I put out, the more money I’ll make. That said, it’s important not to churn out crap. Every book you publish *must* have a reason for existing. There’s nothing in any of my books that I haven’t felt compelled to write.
And finally, if you don’t have time to go through that whole list of advice, just look at this, do the opposite of what she did, and you should be OK.
Doctor Who: Smoking Mirror
(Sorry if this is drivel – I’m not very well and having a great deal of difficulty writing coherent sentences. Pretty much every sentence here started out as “it’s like that thing, oh you know, the one with the thing”).
Obligatory disclaimer-cum-explanation as to why I’ve bought this book. I’ve vaguely known Lawrence Burton as one of the more intelligent posters on the Doctor Who forum Outpost Gallifrey and on the Faction Paradox forum for a year or two. We’ve recently become Facebook/Twitter friends, and he wrote a very flattering review of my most recent book. So I may be biased here.
On the other hand, I don’t know him well enough that I think I’m biased – and if you read through that thread (Lawrence reviewing several hundred science fiction books) it’s obvious both that he can actually write, and also that he shares a number of my tastes – of the books we’ve both read, I’d say I agree with at least 80% of his reviews, and especially the stuff he’s most glowing about (Philip K Dick, Lawrence Miles, David Louis Edelman) and his tastes in individual works by writers (preferring The End Of Eternity and The Gods Themselves to Asimov’s Robot stuff).
So when I saw he’d self-published a couple of books himself, I bought this one without even reading the description.
It turns out to be an unofficial Doctor Who novel. I’d hesitate to call it fanfic, partly because it was intended for BBC Books (and quite why it was rejected I can’t understand) and partly because fanfic tends to suggest something of poor quality, and this is anything but. It’s a Doctor Who novel that happens not to have been licensed by the BBC, that’s all. (Lawrence is selling the book at cost price and not making a penny from it, I hasten to add).
Given that it’s self-published, there are surprisingly few criticisms I can make of it. The review thread linked above is called “Crappy 70s paperbacks with airbrushed spaceships on cover”, and the cover design is a perfect imitation of those, the typography on the back being spookily reminiscent of some of them (the closest comparison I can find is the Granada paperback copies of The End Of Eternity and The Zap Gun, but I know I’ve seen something even closer). However, the typography in the book itself is less wonderful, being in Times New Roman (or a facsimile thereof) and eight- or ten-point type. Having a legally-blind wife, I know from experience that ideally one should print things in at least twelve-point, and wherever possible use a sans-serif font, for readability.
Other than that, the only really jarring thing about the book is a moment of lampshade hanging, when the Doctor is on a collect-the-plot-tokens quest and thinks about how he hates this kind of thing when it happens in books. It’s not done quite well enough to overcome the problems.
One other problem I have – and one that’s my problem rather than the book’s – is that the book is set in pre-Columbian Mexico, and so the characters’ names are all phonetically unlike anything I’m accustomed to. This gave me some difficulty in keeping track of the characters, but that can hardly be helped, given the subject.
The plot is a pretty good one – why has the universe shrunk, so that it now consists of only a small area of Central America and a few centuries? Why are the Gods walking among the humans? – but the plot is less important than the writing. Lawrence obviously has a huge love for the Mexica culture and mythology, and this comes across in every word. Before I read this, all I knew of the Mexica culture was that some of their sculptures in the British Museum look like they’d been made by Jack Kirby, if Kirby had had an obsession with skulls (which is a good thing). But Lawrence manages both to make this seem like a sympathetic culture (putting even the human sacrifice into a context where it seems entirely reasonable) and to bring out the utter strangeness of the culture’s myths.
A lot of individual scenes will stay with me for a long time – the Doctor getting an inkling that problems are starting when Carl Sagan starts talking about how the Earth is a few thousand years old, the god at the centre of the TARDIS, the journey through Mictlan – this is a book as much about the journey as the destination, and Lawrence isn’t afraid of devoting time to his interests, whether that be retelling old myths or explaining Mexica social structure or making asides about old sitcoms.
In fact, after the obvious in-joke that the Third Doctor used to watch Dad’s Army (which starred Bill Pertwee) I started wondering about the other references – what does the confirmation of a Doctor-Who-universe Wilfred Brambell and Tony Hancock mean for the careers of the ‘Whoniverse’ Ron Grainer and Terry Nation? – but that’s just the 60s-TV fan in me coming out.
And there’s a very sitcom feel about parts of this book, but in a good way. It’s a funny book, but the humour all flows from the situations, whether it be the Doctor’s other console rooms (I want to see the McConsole Room ™ now) or the TARDIS translation circuit malfunction that renders speech more… idiomatically than before. The one funny bit that doesn’t quite fit in is the bit with three priests (trying not to spoil anything here). But that is so funny – and so incongruous – that it works, even though it could easily have fallen into the too-common trap of mistaking a reference for an actual joke.
The characterisation is spot-on as well. Lawrence catches Peri’s voice perfectly, and his Sixth Doctor is definitely Colin Baker (although the character here is closer to the TV series than to the more nuanced portrayal in the audio stories – understandably, as this was written in 2002, when the audios hadn’t been going that long). At times the Doctor seems almost *too* verbose, but then this is a Doctor whose defining writers were Pip & Jane Baker, and the fact that nobody else talks like that shows it as a stylistic choice rather than a tin ear.
It’s a first novel, with all that that entails, and Lawrence’s influences are clear (and he thanks Philip Purser-Hallard and Simon Bucher-Jones in the acknowledgements, if it hadn’t been obvious) – I’m sure the use of Mictlan here is at least in part a reference to its use in the Faction Paradox books – but while this doesn’t rise to the level of the very best Doctor Who books, it’s funny, clever, well-written and written by someone with an obvious love for his subjects – both Doctor Who and pre-Columbian Mexica culture – and is certainly better than a good 90% of the Doctor Who books I’ve read.
Now if only Air France hadn’t lost my bag with my DVD of The Aztecs in, I could do a compare/contrast here. Oh well…
I wouldn’t necessarily recommend this to a non-fan of Doctor Who, but it’s an excellent self-contained story which requires a minimum of continuity knowledge, so if you’re even a casual fan – especially if you’re a fan of the Sixth Doctor, who’s otherwise even worse-served in print than on TV – this is well worth a read. I’ll definitely be buying Lawrence’s book of short stories.
Smoking Mirror is published by Ce Acatl/Lulu and is available here.
Lulu Glitch and Third Book Question
For some reason, my author page on Lulu is only showing the hardback version of my Beatles book, not the paperback. Rest assured, for those who want to buy it, it is still available here. I’m working on getting the ePub version out.
While I’m here, as some of you will know I’m currently working on a book of the Hyperposts. Once that’s out, I’ll be planning a third book. Would people rather read (bearing in mind it’ll be serialised here in draft, and also bearing in mind that it’s likely I will do the others, just not at as high a priority):
A book or books on the Beach Boys similar to my Beatles one
A book of my Doctor Who From The Beginning posts
A post-Singularity detective novel (the problem with this one will be making it different enough from Philip Purser-Hallard’s …Of The City Of The Saved that I don’t feel like a plagiarist)
Other (specify?)
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