Debi has a fascinating post today on ‘the FedEx arrow’ – on the way that once you’ve seen subtext in a work, you can’t unsee it, and the various reactions that can come from that.
Now, I’m not really one to talk about that directly, because I can completely distance my reaction to a piece of work from a recognition of its political flaws – hell, I love Cerebus where for a large part the rampant misogyny and homophobia are text, not subtext. I enjoy the banjo music of Uncle Dave Macon, who recorded songs like “Run, Nigger, Run”. I can distance myself from these things, of course, partly because I’m not in the group being attacked, but also because I can split good art from its message.
However, many people in ‘fandom’ (a group of which I emphatically do not count myself a member ) have real trouble with this. If someone points out, say, that in Star Wars how heroic a character is correlates very strongly with how blonde they are, they go absolutely berserk, asking “How dare you accuse George Lucas of being racist?!” and saying “you’re reading too much into things!” Which is where Debi comes in.
Now Debi thinks, and I’m pretty sure there’s a lot of truth in this, that many of these people are worried that liking something that is (say) racist would make them racist, and since they think (possibly even correctly) that they’re not racist, and they do like those things, then the thing they like can’t be racist. I’m sure there’s a lot of truth in this – one should never underestimate the sheer, overwhelming sense of privilege and entitlement in fan circles – but I think there’s more to it than that. I think fans are often fundamentalists.
Many fans (at least the ones who don’t go around trying to find gay subtexts in everything) hate the whole idea of subtext – you just have to look at the people whose reactions to Seaguy we talked about in this comment thread. There is a sizable contingent of ‘fandom’ who hate metaphor, theme and subtext, and who say things like “It’s what it is, you just need to turn your brain off”. Many go so far as to deny, at least implicitly, the very possibility of something meaning more than its literal meaning (which is to say, they deny the possibility of art).
I’ve wondered for a long time what could cause such hostility to the idea of a layered narrative (and if you doubt that such hostility exists, go on to Newsarama and try to discuss Grant Morrison, Alan Moore, or anyone else who’s a relatively competent writer), and why it should show up in ‘fandoms’ far more than in the general public.Because I think, though I may be wrong, that most people’s reaction if you show them that a work they like is one that works on multiple levels, would be to say “Oh, that’s quite clever!” – to use the metaphor Debi elaborates on, they’re pleased to see the arrow in the FedEx logo, rather than thinking the designer was trying to play some trick on them.
In this, fans are like fundamentalists, who believe in the ‘literal truth’ of their holy books, even the bits that specifically state themselves to be fictional (there are people who believe in the literal existence of the Good Samaritan – Fred Clark has a great pair of analyses of their mentality) and who get really angry if you say “Well, the world wasn’t *really* made in seven days”. With the fundamentalists, it’s because they can’t understand the difference between ‘metaphor’ and ‘lie’ – if you say that some of their holy book isn’t ‘literally’ true, you’re saying it’s a lie.
I think some fans have such an intense desire to *actually live in* the DC or Marvel Universe, or the Star Trek or Star Wars or Doctor Who or whatever ones, that any reminder that these are artistic works – any reminder that they were created by a human being with a point of view, rather than just being neutral historical records of true events, is a reminder that they will never really get to travel in the TARDIS or Enterprise, and they react, at least a little, to that. If something isn’t absolutely, incontrovertibly, linear and one-dimensional, then they won’t be comfortable with it.
Which is, I suspect, why so many things created for or by fans are so deeply, deeply awful.
(This post took longer to write than any other post I’ve done, and is fewer words than almost any of my ‘proper’ posts. I’ve no idea why this should be, but thought it worth noting…)
I was going to post some more Batman/Final Crisis stuff now (I may do later), but looking through Google Reader briefly I came across pillock’s post on ‘the art-comix crowd‘, a response to some inanity that has been posted to the All-New All-Lobotomised Blogorama – now with 5000% more content about ‘geek demographic’ TV!
Apparently someone on there has been saying that (this is from Pillock’s paraphrasing) Kirby, Ditko, Morrison, Moore, and Spiegelman are all much the same sort of thing and all ‘overrated’ compared to giants of the form like, presumably, Ed Benes or Brian Bendis, and that people who say different are ‘art comics’ snobs.
Now, I like superhero comics. A LOT. I buy a lot of superhero comics, and wouldn’t spend the money I do on them were I not getting some enjoyment out of them. But while I can enjoy something like Trinity on some level, I accept that it is not as good a comic as Alice In Sunderland or Fate Of The Artist or Doonesbury or Calvin & Hobbes or Achewood or Ghost World or Jaka’s Story or Lost Girls. Not only do I not get as much enjoyment out of it as I do out of those things, it is just *not as good* by any critical standard I can think of.
And that’s the thing that makes me a ‘non-fan’ – applying critical standards. It doesn’t matter what they are – it’s the fact that they exist at all that seems to bother some people. The fact that someone can have an actual reason for liking what they like. And it’s not just (or even mostly) comics fans that this bothers. I remember someone on rec.music.beach-boys ten years or so ago used to have a .sig that read “there are *NO* bad Beach Boys songs”.
Really? None? Not ‘Loop De Loop Flip Flop Santa’s Got An Airplane’? Not the cover version of The Times They Are A-Changing where the band keep on shouting stupid comments? Those are precisely as good as God Only Knows, are they?
Of course not – because fandom isn’t about quality. It’s about brand names. Which is why we use the same word to describe people who follow sport teams as we do for people who follow bands, or TV shows, or whatever. I’ve had ‘you’re not a true fan!’ hurled at me by people over and over again, always for the same reasons – I’ve said Keepin’ The Summer Alive is not a very good album, or that nuWho is so different from the show I loved that it’s not something I bother to watch (Jennie gives a very good summary of why that is here ) – in other words I’ve used some discrimination. I’ve liked things because they contain qualities I like, rather than because they have the label ‘Beach Boys’ or ‘Doctor Who’ or ‘JLA’ on them.
So fine – I’m not a ‘true fan’. But I would argue that the ‘true fan’ – the person who praises everything, who takes the slightest criticism as a deathly insult, who thinks that the mere existence of some kind of critical standard is a slap in the face – is the reason for things like Star Trek: Enterprise or Mike Love’s solo album or Countdown or Monty Python’s Spamalot. If you can sell people any old shit so long as it has the brand name on, then there’s no incentive to actually try harder.
And if you’re thinking now that there’s a connection here between this post and Jennie’s recent post on Liberal Conspiracy, that there might be a political meaning here… well, you may think so. I couldn’t possibly comment…