Sci-Ence! Justice Leak!

Linkblogging For 07/04/11

Posted in linkblogging by Andrew Hickey on April 7, 2011

Cerebus post tomorrow, Beach Boys and How We Know What We Know on the weekend. Links now.

The Onion AV Club has a rather wonderful beginner’s guide to sunshine pop, including a youtube playlist. Nothing that those of you who like the genre won’t know, but for those who want to know what I’m blithering about when I talk about Curt Boettcher, The Yellow Balloon or Sandy Salisbury. It’s a bit LA-centric (I would have included something by the Zombies, or some of the many fantastic British acts on the Ripples CDs) – in fact, I’d say it’s a bit mates-of-Gary-Usher-centric, more precisely – but it’s still very good.

Heresy Corner asks if the ‘gay caveman’ was gay or a caveman
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‘Aunty Sarah’, a transsexual Lib Dem blogger, sometimes gets bothered by strange men with a fetish for transsexuals while online. She posts the ensuing chats to her blog.

How to build a multiverse


Those allegations about racism in Yes To AV leaflets were, it turns out, completely wrong
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Chris Dillow wonders if the left should be looking places other than the state for answers
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And Zom looks at Frank Miller and Lyn Varley’s version of the Joker
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And on a different note…

Posted in music by Andrew Hickey on April 7, 2011

I’ve been busy lately. As well as this blog (and the books I’m hoping will come out of the essays from it – the first of three Beach Boys books will be out some time this month), I’ve also been working full time, trying to pull together PEP! 3 (I’ve got great material from Plok, David A and Richard F, but nothing else to work with – everyone else I’ve asked to contribute has had too many problems (that is NOT a dig at anyone, before anyone gets paranoid. I KNOW how hard these things can be)), working on a proposal for a novel, and working on a super-sekrit project of Plok’s.

And I’ve also-also been planning my first solo album.

It’s a baroque pop album, it’ll probably take at least the rest of the year to do, and it’ll be a proper Roy Wood style “write the songs, play all the instruments, sing everything, drive the van and make the sandwiches” solo album.

Here’s a little fragment – the first minute or so of a longer piece I’m working on, almost as an exercise. As I’ve been writing the Beach Boys book I’ve been noticing more and more of the techniques Brian Wilson used, and this is me piling in as many as I can of the Smile-era tricks into one minute or so of harpsichord, timpani, ‘cello and cor anglais.

(I’ve just dumped the raw MIDI to MP3 here – the actual finished album will have a proper sound font used, not this cheap tinny stuff).

Let me know what you think.Smile.

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Let Me Ride On The Wall Of Death One More Time… (Batman Inc 4 and a bit of 3)

Posted in Uncategorized by Andrew Hickey on April 6, 2011

Not another Morrison hero motivated by a dead Kat…
I’m very sorry

Morrison is definitely doing something interesting with the Kathy Kane backstory here. She made a film called “Ariadne’s sewing machine” – this is absolutely *FULL* of resonance for this story. Look at the ending – “the flies are in the web! The monster squats in its maze of death!” – well, Ariadne represents *both* the web *and* the way out. The Ariadne of Greek Myth gave Theseus the thread he used to find his way out of the labyrinth designed by Daedalus, but because she gave him a ball of thread, she’s also associated with spiders spinning a web (I’ve even found a claim that Ariadne in Celtic myth span the world into existence. This claim appears to be repeated on several different sites across the net in the same words, with no attribution to any reputable source). Freedom *and* entrapment.

(And spiders belong to the same genus class (I do know the difference, honest!) as scorpions, don’t they? I wonder what Scorpiana has to say about this…)

We first see Kathy as a widow, dressed in black…her maiden name is Webb.

Of course, in the myth, Theseus deserts Ariadne, and she dies (either killed by her husband, or by hanging herself, depending on the version of the myth), but then her original husband goes to Hades and brings her back. Kathy Kane wrote a book, too, Inana Unbound.

Leaving that Unbound for a moment (but what an interesting word *that* is), let’s look at Inana. She, too, descended into the underworld (having first had to strip off all her clothing and tools of power, ending up naked) and returned from the dead.

What I didn’t know, until I double-checked her details in Wikipedia (having only a vague knowledge of Sumerian myth) was:

According to one story, Inanna tricked the god of culture, Enki, who was worshipped in the city of Eridu, into giving her the Mes. The Mes were documents/tablets which were blueprints to civilization. They represented everything from truth to weaving to prostitution, granting power over, or possibly existence to, all the aspects of civilization (both positive and negative)

Not only that, but two other associations that go along with the name Ariadne – one that is obvious to me, and one that is probably obvious to most people reading the story if they stop to think.

Christopher Nolan, the director of the recent Batman films, released Inception last year, in which the protagonist is haunted by the memory of his dead love, who may not really be dead. Guess the name of the architect who creates the unreal worlds through which our protagonist goes?

And I don’t know if Morrison ever read much Agatha Christie, but did you know she had a ‘fiction suit’ too? Guess what her name was? And of course there’s a fictional writer in here too (in fact a real fictional writer, even though this is a fiction). An Argentinian one.

And Argentina is where Nazi war criminals go when they’ve faked their own death, isn’t it?

Kathy Kane of course being biologically the daughter of a Nazi war criminal, but sharing her name (and I presume her family) with Kate Kane, who is Jewish.

Kate Kane’s gay of course, while Kathy Kane is straight. Except she uses ‘circus slang’ according to Dick. And we know what Dick’s circus slang is, don’t we?

But it is circus slang for Dick, because after all, he’s a carnie. And so’s Kate. She owns a carnival. Just like the one the Joker seems to hide out in a lot. And its initials are KKK. And she has a liking for ‘dance[s] with the devil’.

And another of her films is called Mirrorrim. In a story about a weapon called Oroboro.

“I don’t know what they gave us. I don’t know what it is… but I feel like I’m split in two” – Kathy Kane, while she and Batman are in an imaginary world.

Kathy is freedom
Kathy is entrapment
Kathy is a fiancee
Kathy is a (black) widow
Kathy is Bat(wo)man
Kathy is the Joker
Kathy is a Nazi
Kathy is Jewish
Kathy is dead…

There’s more to this, of course – why all the blindness (blind orphans, people shot with braille patterns, Borges) and does that have anything to do with the cyclopean single eyes we’re seeing everywhere (of course it does, but what?)

You can waste your time on the other rides, but this is the nearest to being alive.

Linkblogging For 03/04/11

Posted in linkblogging by Andrew Hickey on April 3, 2011

Still working on two comics posts I hope to have up over the next couple of days – one on Batman and one on High Society. I think I’ll try to make the Cerebus posts monthly – that way there might be some vague possibility of me doing them on schedule. Meanwhile, have a few links:

Two sets of high-quality, legal, free-to-use instrument samples here (link currently down but was working this morning) and here.

Brad Hicks on how those who argue that monogamy is natural are mostly liars (n.b. I am monogamous myself – ‘not natural’ != ‘not good’ or ‘not possible’)

Death To The Universe on Quitely doing Kirby

Alex compares the nuWho story Smith & Jones to a comics classic by Pat Mills and Dave Gibbons

Tim O’Neill on Jack Lemmon

The new Faction Paradox book is available for pre-order. There are some great authors in there (I’m particularly looking forward to Philip Purser-Hallard’s story) and my friend Lawrence Burton did the cover, so buy it.

And Lisa Ansell thinks Ed Milliband should apologise for hijacking last week’s anti-cuts march for the benefit of his pro-cuts party.

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Crowdsourcing My Next Book Cover

Posted in books by Andrew Hickey on April 1, 2011

This post is just to ask a favour of my readers, if any of you can help. I’m currently finishing up the first draft of volume 1 of my three-volume look at the Beach Boys’ music, which I plan to send out to my beta readers this weekend and have published hopefully within a few weeks. However, I don’t as yet have a cover for it.
I got lucky with the Beatles book – I found a good photo of the band that had fallen into the public domain (and for Sci-Ence! Justice Leak! I had a wealth of images to choose from, thanks to NASA putting all their work into the public domain. Thanks NASA!)

However, the only public domain images of the Beach Boys I’ve been able to find are some rather poor photos of them on stage with Ronald and Nancy Reagan – not quite what I have in mind for the book.

I wouldn’t mind paying to license a photo, theoretically, but I don’t have the money – if my books keep selling at current rates, it’ll take about two years for each of them to have earned me minimum wage for the time spent writing them.

And I have to be legally watertight here. The Beach Boys are possibly the most litigious group of people in the world – you know the bit at the end of The Rutles, where Stig accidentally sued himself? I can think of at least two occasions where that *did* happen with the Beach Boys.

Does anyone have any suggestions?

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