Sci-Ence! Justice Leak!

Thoughts On Doctor Who

Posted in Doctor Who by Andrew Hickey on April 12, 2009

I’ve been busy for a little while, and so I’ve not been doing the Big Finish A Week posts, as they take up vastly more time than any of the other posts, but things are a little more settled again, so I should be starting them again soon. In the meantime, I’d like to talk a little bit more about Doctor Who.

I haven’t watched the new series since series 3 – I watched the first series, thinking it was badly-flawed but with enough ideas of merit to keep going, as it was the first series. The second series I thought was bloody awful, and it became apparent that the things I thought were flaws (the emphasis on effects over plot, the anti-intellectualism, the mockery of nerds, the implicit assumption that early 21st century Western culture is the apogee of civilisation, with everyone before now being the same as us but in different clothes, and with the future being exactly the same) were, to the makers, the actual point of the exercise. I watched the third series, six months after broadcast, in one sitting, because someone I trusted told me it was much better. There were three good episodes (Blink and the Human Nature two-parter), but none of these involved the character of the Doctor more than peripherally.

I haven’t watched any episodes since, and nor will I do so, but the reviews haven’t suggested that I’m missing anything. Lawrence Miles has already taken down his review of the other night’s episode, as is his wont, but my cached version in Google Reader contains the line “Never have I felt more justified in my decision to f*** off and be somewhere else when this series – the series I’ve followed since I was two years old – finally dies. This isn’t Doctor Who. It isn’t even sophisticated enough to qualify as fan-fic.”

That summed up my feelings about the show as it is these days. But I’m not writing this to criticise the new show – like I say, I no longer even watch it – but to talk about what I would do differently, and also why I love the old show.

Essentially, there are three things I like about Doctor Who (1963-89). The first, and in some ways the most important, is just that the programme is so tied up with many of the happiest moments of my childhood, and so things like the TARDIS, Daleks, K9, Cybermen, and so forth are linked to my hindbrain – there is a part of me that would be happy with any old shit so long as it had a police box and a pepperpot saying “exterminate”. This is the only part of my taste for the show that the new show has kept.

Then there’s the ideas. The new show doesn’t really have any interesting ideas in it, while the old one had imaginative writers like Robert Holmes, Douglas Adams, Christopher Bidmead, Malcolm Hulke and so on. There were plenty of badly-written, predictable Old Who scripts, but there were also some, such as Castrovalva, City Of Death or The Tenth Planet, that did interesting new things (the Tenth Planet looks formulaic now, but it invented the formula, or at least nicked it from The Thing From Another World and filed the serial number off).

But most important is the character of the Doctor, and this is what the new series gets so egregiously wrong, especially in the Tennant episodes (Eccleston had flashes of Doctorishness), I can’t consider it to have any connection to the original series. So, if I were to run the series, other than hire much better writers, I’d totally rewrite the character of the Doctor, getting back to something approximating the character in the original series.

Now, admittedly, the character changed a lot, but there are things that remained more-or-less constant, and other things that I liked about one or other of the versions of the character. But what I wouldn’t do is go the route of the current show, which has him as a normal bloke who just happens to be able to fix everything with magical gadgets and fast talking.

As a first approximation, the Doctor should be Sherlock Holmes, but then should be added in varying amounts of Bugs Bunny, Groucho Marx, and your favourite uncle. The most important thing to remember about him is that he is alien, and this should colour every aspect of his character.

For example, the new show is obsessed with romances of one kind or another between the Doctor and his companions. However, the Doctor is meant to be many centuries older than them, and of a different species. Even if humans are his favourite race, he should think of them as somewhere between children and pets, which suggests that to him sex with Rose Tyler should be somewhere between bestiality and paedophilia. This does not mean that he’s sexless – it’s fairly obvious that Doctor Tom was sleeping with Romana, and I find it far easier to believe that the first Doctor was Susan’s biological grandfather than any fanwanky nonsense about looms – but just that he shouldn’t be chasing after 19-year-old earthwomen. (Although, oddly, I find it entirely easy to believe that the sixth doctor and Evelyn’s relationship was a sexual one, although I’m sorry for putting that image into your heads).

The Doctor should be slightly unaware of human mores and social conventions – not totally oblivious, but he shouldn’t be aware of them unless he’s *thinking* of them. This is part of why he’s so egalitarian – like the line in Robot where he says “Oh yes, I’ll speak to *anybody*!” brightly when asked if he’d speak to a Nobel prize winner. It can also, however, make him seem quite callous – but he would never knowingly hurt someone, and if he’s made aware of how callous he seems, he will be apologetic and very regretful.

This difference explains many of the Doctor’s quirks – I’ve always thought it was a shame that the Fifth Doctor’s celery ended up having a prosaic explanation in The Caves Of Androzani, as it seems much more fun to me to just assume that the Doctor was getting things slightly wrong – or not caring about getting it right. Humans wear pretty vegetation in their buttonhole, here’s a bit of pleasant-looking vegetation, in it goes.

In many ways the Doctor would probably be diagnosed with Asperger’s Syndrome were he human, and this seems a tack to take when writing him (though personally I think the whole concept of Asperger’s is an appaling one – simultaneously a way to dismiss a whole group of people by medicalising their personalities, while also giving a load of arseholes on the internet a cop-out excuse by letting them claim their bad behaviour is a medical condition. Oddly, all the latter tend to be ‘self-diagnosed’…). My friend Tilt has similarly suggested that the character of Monk (the obsessive-compulsive detective) bears a close resemblance to the Doctor. This isn’t to suggest the Doctor is mentally ill (though he’s eccentric even for his own species), but that his brain works differently from human brains.

The Doctor should always have the best intentions. He may do appaling things, but they are always either accidental or to stop something worse happening, and he should regret every one. He should also know more than everyone else – not in the way of the later Tom Baker years, where he’d met everyone in the universe before and knew everything, but he should be in possession of a few pieces of information that no-one else has, by virtue if nothing else of his great age. He should always seem like he’s in a slightly different show from everyone else, and his very presence should twist the situations around – he should be a random factor that brings everything crashing down not through any great skill or ability, but just through being unexpected. And it should never be shown exactly how much more he knows than everyone else, or how he knows it – as much as possible (given the history of the show) he should be a mystery.

The Doctor should be funny. He should know better than to take anything too seriously, and should be able to turn anything into a joke. He should also be slightly naive, even now – he should expect the best of people by default, and be truly shocked when they fail to live up to his ideals – but people should respect him enough that they *do* live up to those ideals. On the other hand he should have a furious, hair-trigger temper, and be extraordinarily arrogant. He can also be more than a little pompous at times.

He should dress eccentrically, but not in the ‘I’m mad, me!’ fashion of the Nathan-Turner years, nor in the ‘student who thinks he’s quirky’ manner of Tennant. The Doctor seems to me to be a character who’s most at home in the late 19th century, and his dress sense should reflect that – depending on the actor he could wear frock coats and look like a character from The Importance Of Being Earnest or be a great huge bearded man in the Karl Marx mode, but he definitely shouldn’t look like anyone else.

He also shouldn’t be conventionally good-looking. He should probably not be *ugly* – after all, he can choose, to an extent, his appearance – but he should look a little odd. Eccleston was facially very Doctorish. His accent should be close to RP, but it could have a regional tinge to it (Colin Baker still had a bit of Rochdale in some of his vowels, Baker and McGann both had a tinge of Scouse, without sounding non-Doctorish)

More than anything else – even his desire to do the right thing – he should be motivated by curiosity.

My own choice for actor would be Graham Crowden (who apparently turned the part down when Pertwee left), but Don Warrington, David Warner or anyone else who can do both gravitas and humour would be OK. But the Doctor should *not* be a conventional ‘hero’ type, and nor should he be a conventional ‘eccentric Englishman’ of the Stephen Fry type.

If they bring back a series with *that* character – even if it has plots as dreadful as those of the new series – I’d watch it eagerly. But I suspect there’s no place for that kind of thing on TV any more. Sad.

Ten things I never want to read online again

Posted in comics, Doctor Who, music, politics by Andrew Hickey on April 8, 2009

Just a short list of things that annoy me beyond all reason:

1) “The Liberal Democrats need to get off the fence and say what their actual policies are”
Yep, because it’s not as if we’ve got tons of policy papers out there, or a simple pocket guide to our policies, is it?

2) “Ringo Starr was a terrible drummer”
Ringo got a reputation as a bad drummer because he didn’t lock in with the bass, as was the fashion in British recordings in the early 60s. That isn’t actually bad drumming, and anyone listening to him can tell that he was one of the most imaginative players of his time period. Just listen to Rain, Tomorrow Never Knows or Happiness Is A Warm Gun.

3) “Pet Sounds is the only good Beach Boys album, and other than that they only did crappy surf songs”
Anyone who says this gets their opinions from the music press and hasn’t bothered listening to any of their other albums. Whether you like them or not, for example, you can’t describe Carl & The Passions or Holland (spotify link) as ‘crappy surf songs’.

4) “New Doctor Who is much more sophisticated than the original series”
The original series was trying to do something rather different than the new series – it was working from a British set of TV conventions that are theatrical in origin, rather than an American, cinematic, set of conventions. This can make it difficult for those attuned to the modern style to watch. But that does *not* make it less sophisticated. In fact, on every level on which one can make a reasonable comparison (except effects – and with a few exceptions the old series was nowhere near as bad as its reputation suggests), the old series was vastly superior. Fewer plot holes (note I don’t say ‘no plot holes’), better performances from the leads, better characterisation, more memorable individual lines, and a more coherent worldview. The new series may be shiny, but it’s for the most part a soulless pastiche of the old series made by people who don’t understand it (or who do but fear their viewers wouldn’t – and I don’t know which would be worse).

5) “The free market would run healthcare more efficiently than the NHS”
I don’t believe this for a second, but assume it’s true for a second – as someone who’s seen my (American) wife collapse in the middle of the night, be delirious and unaware of her surroundings, but try to prevent me from ‘phoning an ambulance because her first thought was “We can’t afford it!”, and who’s seen friends in the US believe they have cancer but be unable to afford to have a checkup to find out, I’ll take a little bit of inefficiency over that any day.

6) “I’m buying [Comic X] to support the character, even though I’ve hated the last dozen issues”
The character doesn’t need your support – it’s a fictional character (see also people saying “Dick Grayson deserves a turn at being Batman”). All that you’re doing is encouraging bad comics to be produced.

7) “Grant Morrison’s comics are just weird for weirdness’ sake”
See the comments to this post for several people’s take on this view…

8) “Where are all the female political bloggers?”
here and here and here and here and here. And that’s just the ones on my blogroll.

9) “ZaNuLieBore”
Grow up. As far as I can tell, no critic of New Labour has ever used this ‘word’ – certainly I’ve never seen it. On the other hand, plenty of apologists for them use it as a way of dismissing the arguments of those they disagree with – “Yeah yeh, teh ZaNuLieBore is teh ev1l! We get it, go away.” Not only is this fatuous, but something about the ‘word’, the very look of it, makes me faintly queasy.

10) Any explicit search terms involving Nicola Bryant
Honestly, this really *isn’t* a fetish site for one-time Doctor Who companions.

Personal Is Political Playlist

Posted in music, politics by Andrew Hickey on April 6, 2009

Continuing with the theme from yesterday, this week’s Spotify playlist (which you can access from here ) is based around the themes of politics, police violence, the Depression, depression and poverty.

We start with a little spoken section, by Laurel And Hardy, in which they are Victims Of The Depression.

Following this is Bing Crosby with the Depression-era classic Brother, Can You Spare A Dime?. Co-written of course by the great Yip Harburg, one of the greatest songwriters of the ‘Golden Age of American Song’. A little-known fact about Harburg is that ‘Yip’ was actually short for ‘yipsel’, which in turn was short for Young Person’s Socialist League – Harburg was an incredibly political songwriter. But he’s probably best known now, other than this song, for Over The Rainbow, April In Paris and It’s Only A Paper Moon.

Following this is Linton Kwesi Johnson with Reggae Fi Peach. Johnson was a very politically-active dub poet in the early 1980s, and this is his tribute to Blair Peach, a teacher who was battered to death by the police when taking part in an Anti-Nazi League protest.

XTC‘s Earn Enough For Us is a song that means a lot to me – it essentially describes my life for the first two years after I married (as well as the year before) – “I’ve been praying I can keep you/and can earn enough for us”. Not political as such, but a perfect description of the life of low earners.

Glad To Be Gay by The Tom Robinson Band is a song I loved when I was a very young child – my parents got quite embarassed picking five-year-old me up from school and having me sing it loudly on the way out. Robinson was an overly didactic lyricist of the Billy Bragg type, but this one is genuinely heartfelt, and still moving even now I’m old enough to know what it’s about…

The Policeman’s Jig is a great little song from Jake Thackray. Someone should really write a book on Thackray, and the particularly Yorkshire way he combines an earthy sense of humour and an utter loathing of all forms of authority with a very devout Catholic faith. This is definitely Thackray in anti-authority mode, and anti-censorship.

Political Science by Randy Newman is a song I used to think was an overly-broad satire, but which appears to have been used by the Bush regime as a policy briefing document…

Shipbuilding by Elvis Costello is one of the very best songs ever written, looking at one of the more pointless wars of our time (the Falklands) from the point of view of the unemployed dock workers who were given work again by the conflict – “Is it worth it? A new winter coat and shoes for the wife/And a bicycle for the boy’s birthday/It’s just a rumour that’s been spread around town, soon we’ll be shipbuilding”. A more damning indictment of the Thatcher years – and a sadder song – you’ll never hear.

Your Cash Ain’t Nothin’ But Trash by The Clovers and Get A Job by The Silhouettes are two great doo-wop classics. Doo-wop these days is thought of as mindless silliness, but it was a really vibrant, inventive artform for a few years in the late 50s.

WPA Blues is credited to Meade Lux Lewis, but it’s far more guitar-based than Lewis’ normal stuff (Lewis was one of the all-time great boogie-woogie piano players) , so much so that I’m not even sure it’s him. Either way, it’s a great little track. (For those who don’t know the WPA was the Roosevelt-era public works programme which was brought in to try to end the Depression).

Money Honey by Little Richard is just great.

Up The Junction by Squeeze is very much of a piece with Earn Enough For Us, a glorious story song which was a huge hit over here but never did anything in the US.

‘Til I Die by The Beach Boys is the greatest track ever about the other kind of depression, and probably the best song Brian Wilson ever wrote without a collaborator.

And just in case that was too depressing for you, we finish with a nice cheery track – Music To Commit Suicide By by Roy Wood.

Let me know what you think, and if I should carry on doing these…

The British Police Are The Best In The World, I Don’t Believe None Of These Stories I’ve Heard…

Posted in politics by Andrew Hickey on April 5, 2009

I try to be shocked. I really do. I try to really feel how terrible it is, but this kind of thing has happened too often.

Last week, a man died during the G20 protests. The story put out in the media at the time was a clearcut one. Man gets stressed by an out of control angry mob and has a heart attack. Police try to help him, but the mob are so out of control that they throw bricks at the police, stopping them from doing their job, and the man dies as a result.

A few hours later, the story had changed somewhat. The crowd near the police were in fact helpful – a few people at the back who didn’t know what was going on threw a couple of empty plastic bottles at the police, but that’s all. I wasn’t surprised. That sounded about right, given the way the media and police usually misportray protestors.

Now, according to the Observer, the truth appears to be out. Ian Tomlinson was a 47-year-old man on the way home from work, completely uninvolved. The police were “out of control“. Mr Tomlinson was battered around the head and thrown about by armoured riot police. Protestors, seeing he was hurt, *tried to help him*.

I tried, I really did, to feel shocked and upset by this, but I just felt numb when I should have felt outraged. Because this has been coming for a long time, and there will be more of it. There has always been an element within the police force that is attracted to the job because they like the sense of power and want to abuse it (in fact one of the best arguments for the *existence* of a police force is precisely that it can sometimes allow such people to channel their energies in a more productive direction – see Aleister Crowley’s remark “I am not an anarchist in *your* sense of the word – imagine a policeman let loose upon society!”, one of the few things the great old faker ever said that I agree with). Anyone with any memory of this kind of event over the last thirty years can name dozens of cases, from Blair Peach to Jean de Menezes, where the official report has differed wildly from the truth, and where enough misinformation has been created that police who are at the very least guilty of manslaughter have been let off with reprimands.

And the police have been spoiling for a fight. They’ve been talking in the papers about how they’re expecting a ‘Summer of Rage’ in 2009, and we all know that that sort of thing is liable to become a self-fulfilling prophecy. When you combine that with the worst economic crisis in eighty years, you’ve got a powderkeg waiting to go up.

And the police can afford to be arrogant – for the last fifteen years governments of both main parties have been putting in place the elements of a police state. I could make ten posts of this length just listing the various draconian laws that have been brought, removing the right to silence, the right to protest and so on, but just to take two examples – any photos that were taken of Ian Tomlinson’s murderers, to be used as evidence against them, are illegal, because it’s now illegal to take photos of the police due to ‘privacy concerns’. Meanwhile, as of tomorrow, the government will be requiring your ISP to keep records of every email you send, every website you visit, every file you download, for up to a year. You now have less legal right to privacy when organising your finances or viewing pornography or talking to your friends than the police do when beating a man to death for getting in their way while walking home.

And both major parties are like this. People believe they have no alternative but to protest, because they can’t vote for anyone who’ll fix the problem, but protesting is illegal and the police are spoiling for a fight. This is not going to end well. I’ve recently started listening again to Power In The Darkness by the Tom Robinson Band. Thirty years on, its pub rock sounds dated as hell, but the feeling of the record is as fresh as if it were recorded yesterday. We could be headed into a period when fascism becomes a real possibility, either by the continued populist right-wing drifting of both major parties, or because of the rise of the Bastard Nazi Party in response to people’s disaffection.

We need, desperately, to find a real electoral alternative to the current repression, and while I believe the Liberal Democrats to be the best option open, the unfortunate fact is that we can’t win the next election. But what Chris Huhne refers to as ‘the Parliamentary Liberal Party’ can. We need to campaign more (and I need to get far more active in things like No2ID myself – I don’t do anything like enough, and I’m going to try to do more) to bring about real changes after the next election.

I think the best way to do this is to rally round the Lib Dems’ Freedom Bill, but ensure it’s not seen as a purely partisan effort. It doesn’t go anything like far enough, but it’s a good start. We need to ensure that, no matter what party gets into power next election, this bill or something like it will get in. This is *important*, possibly the most important thing that could be achieved in the next Parliament (I believe other issues, such as the environment, are actually even more important, but no-one in government is going to do anything while there’s the current weird consensus in power, and this is one of the few ways I can see of putting a crack in that).

I honestly believe that the best thing you can do in the next election is to ask the candidates for the two main parties in your constituency if they will support the Freedom Bill if it is put before Parliament. The Lib Dems will, and I know a handful of Labour candidates will, because I’ve spoken to one or two decent Labour people (usually of the Compass type) who would support it. Possibly some Tories as well – but I’ve never trusted them. That is, however, purely personal bigotry. There may be such a thing as a trustworthy Tory, it’s entirely possible.

If one of them will support the bill and the other won’t, throw all your support behind the candidate that will, campaign for them, flyer your area, get out the vote – and tell them why you’re doing so. If both will, then be happy but put pressure on them when they get into Parliament – email them every week if necessary. If neither will, then if possible try to get one of them deselected and stand in their place. If you can’t do that, stand as an independent if necessary to make sure there is a candidate who *will* support those measures.

We need to ensure that no matter what party happens to be in Government, we get a majority for the Parliamentary Liberal Party in 2010. Because otherwise we may well see a majority for the National Socialist Party in 2014…

Hey Mickey, You’re So Fine…

Posted in comics by Andrew Hickey on April 3, 2009

Five years ago, Grant Morrison co-created (with three of the best artists working in comics) three three-issue miniseries for Vertigo, DC’s ‘mature readers’ imprint. One of these, We3, co-created by Frank Quitely, was a huge success (in Vertigo’s terms) and will soon be a film. Another, Vimanarama, with Philip Bond, was a magnificent attempt to create a 70s Jack Kirby story set in Bradford, based on mythology from the Indian subcontinent, which almost everyone seems to have completely ignored.

And then there was Seaguy, the critical hit, created with Cameron Stewart. Seaguy was not particularly successful in terms of sales, but it has caused far more discussion than either of the other two. Much of that discussion, unfortunately, has been instigated by people who can’t actually read, calling the series ‘incomprehensible’. In fact, it’s one of Morrison’s most straightforward works, a lovely little superhero story equally influenced by Don Quixote and The Prisoner, set in a world where the superheroes have destroyed all the evil in the universe after a battle with the Anti-Dad, and so nothing could possibly go wrong, could it?

The only actual difficulty – if difficulty it is – is that it uses such basic techniques as metaphor and symbolism – things that people who can read without moving their lips have mastered by about the age of eight – and these don’t come with great dangling signs all over them saying ‘this is a symbol!’, or an explanation as to what they ‘really mean’, so Seaguy has a reputation as a ‘difficult’ work.

In fact, Seaguy seems to be about a few subjects that almost everyone can relate to – growing up, a sense that there’s something going on in the world that you don’t understand but which will affect you, and a sense that the workaday world has dulled us to the true marvels of the universe. On top of that, it appears to be a mild critique of Fukuyama’s idea of ‘the end of history’ at just the point that even the media were having to admit that he was flat-out wrong, as well as an examination of the superhero genre.

But the important thing about Seaguy is just that it’s a fun comic – clever, witty and enjoyable, and made by people who clearly want to be doing it. So much so that they wanted to do two sequels, but DC wouldn’t commit to it due to lack of sales. However, Morrison effectively held DC’s flagship series 52 to ransom, and the first issue of Seaguy: Slaves Of Mickey Eye came out yesterday.

The first issue parallels the first issue of the original series very strongly, but in this case Seaguy is older and acting like an adolescent – his new best friend, Lucky El Loro, “lost my power of flight to the vicious jaws of low self-esteem”. (Incidentally, is the parrot in this a reference to the one in the Sandman story A Game Of You or are they both referencing some other thing I’m going to look incredibly stupid for not knowing about?)

Cameron Stewart’s art reflects this change – still as clear as ever, there’s far more use of deep black areas than in the previous series, and Dave Stewart’s palette is far darker than the previous series – where that was all light blues and yellows, this one is all dark blues, purples and oranges. The contribution of the colourist often goes unnoticed in a comic, but in this case it makes a huge difference to the overall look of the piece, and therefore the mood.

While it’s impossible to judge from a first issue, this story is clearly going to be about Seaguy’s adolescent questioning leading to punishment for looking beyond the surface to the real world beneath (it features once again the favourite Morrison motif of the three wise monkeys). It’s difficult to analyse in any greater detail though, not because there’s nothing to say but because there’s too much to say. This is packed with ideas, like the cryptosaurs (fossil dinosaurs with the bits filled in from bits of bike and car found in the same area) – “How about this autoraptor I discovered: A fierce dweller in the chewy deserts of the plasticine era until the oil it ate to survive ran out.” And like the original series it has some strange commercials (or programmes?) on the TV – the ‘half-an-animal on a stick’ sequence is one of the most intriguing sequences in the comic.

The couple of other reviews of this I’ve read talk about these things as ‘mad ideas’ or ‘wacky’ or ‘insane’, but they’re none of these things – they’re worldbuilding, and just show that the world Seaguy is set in doesn’t work on the same rules as the one we live in. We’re not shown what those rules are, and we aren’t given enough information yet to figure out all the rules for ourselves, but that’s how it is in the real world too.

How much of this stuff is going to play out in the rest of the series, and how much is just background detail, we don’t as yet know, and without the context of the rest of the series it’s hard to judge this first issue. At the moment, it seems slightly overfamiliar – it’s very much what I would have expected from a fourth issue of Seaguy rather than doing anything astonishingly new – but it might well be leading to something even better (Morrison says that the ‘Seaguy trilogy’ is his Watchmen and that the closest thing to it in his own work is All-Star Superman). Even as it is, however, this is a work by one of the greatest creative teams working in comics today, and they’re working on something they want to work on. And it is a work by a team – Cameron Stewart recently mentioned on Twitter that he had an argument with a Morrison fan who was convinced he was Morrison’s employee, but while only Morrison could have written this, only Stewart could have drawn it, and he does a superb job.

I hope to write more, and put in more analysis, about the next two issues, as the pieces fall into place, but this issue doesn’t disappoint, which after a five-year gap is all you can hope for.

Quick linkblog

Posted in linkblogging by Andrew Hickey on April 2, 2009

I’ll be posting a review of Seaguy (and possibly Glamourpuss) tonight, assuming the problems we’ve had with BT are finally sorted (and it’ll be my 200th post, so I’ll try to make it a good ‘un), but in the meantime I thought I’d mention that my netcasts at Liberal Conspiracy (where I link to mostly political blogs, with short comments) are as of today moving to Thursdays. You can find everything I post at LC at this page.

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